Dilly's ''Making of Music''

The Making of Music: A Fusion of Worlds, a Symphony of Souls

  

Music, the most powerful of human expressions, transcends boundaries, defies definitions, and transforms lives. It is the universal language that binds us together, bridging gaps between cultures, traditions, and histories. The "Making of Music" concept is an exploration into this dynamic, ever-evolving realm—an artistic venture fuelled by a collective passion for blending the old with the new, the East with the West, and the local with the global. 

 

The concept was not born in isolation but rather through a shared vision, nourished by the wisdom of renowned maestros, 

musicologists, musicians, friends, and appreciators of all things melodic. A patchwork of influences, rich in history and diversity, woven together in a tapestry of sound. This project, which we have affectionately named the "fusion process," is not just about the merging of musical styles but the very synthesis of life itself—of tradition and innovation, of cultures and communities.

 

The concept of fusion music is a curious and exciting one, not merely an aesthetic choice but an evolution—a natural consequence of the interaction between different musical traditions. For as long as human civilisation has existed, so too has the exchange of ideas, sounds, and rhythms. These exchanges, often born out of necessity, conflict, or curiosity, have paved the way for the emergence of entirely new forms of musical expression. From the ancient Silk Road to the bustling urban landscapes of today's world, music has been a silent yet unifying force, transcending geographical borders and cultural constraints.

What we see today in the world of fusion music is not only the harmonious marriage of East and West but a broader, more intricate weaving together of the diverse threads of global musical traditions. From the intricate raga structures of North Indian classical music, steeped in the ancient wisdom of Indian spirituality, to the electrifying grooves of modern dance music, born from the heart of Western club culture, fusion music has come to represent the very heartbeat of contemporary musical expression.

 

The notion of "Global Fusion Music" is uniquely exciting, as it represents the collective voices of the entire planet. It is a blend of sounds, ideas, and philosophies drawn from every corner of the globe, creating a melange that is both diverse and cohesive. It is an affirmation of the world's interconnectedness, where different musical forms are no longer isolated but rather embraced, shared, and celebrated. While East-West fusion often dominates discussions in the Western world, a rich and equally compelling tapestry of East-East fusion is also unfolding—where the traditions of one Eastern culture interact with and inspire another.

 

In an increasingly globalised world, where cultures, societies, and economies are intertwining at an unprecedented rate, music stands as a beacon of hope for unity. It is the ultimate metaphor for the interconnectedness of humanity. Music doesn't ask for borders; it doesn't recognise the lines we draw in the sand. It is inherently egalitarian, speaking a language that transcends class, race, religion, and nationality. In this way, it serves as a powerful tool for fostering togetherness in a fragmented world.

The sounds and rhythms that make up our project reflect this belief—this philosophy of interconnectedness. We have drawn upon the North Indian scale notations, such as the majestic Raga Darbari, inherited from the musical traditions of Turkey, Persia, the Arab world, and Africa. These ancient scales carry with them centuries of wisdom, emotion, and spirit. From this, we have woven together the infectious grooves of modern dance music—a genre that speaks to the contemporary world and its pulse. The song Guru, with its lyricism and tabla twists, is a product of this blend. It is a meeting point of worlds, a sonic journey guided by the hands of those who have studied, practiced, and lived this music. 

 

The legendary Dilly Meah, whose soul-stirring voice and brilliant musicianship illuminate the track, has been an invaluable collaborator. His influence is evident in every note, every twist of melody. Alongside him is the prodigious Yoshisuke Suga, whose sound design, bass playing, and drum programming add a modern, electronic edge to the work. Yoshisuke and I first met at the LMS London Music School, where we studied together and began to forge a lasting musical bond that transcended the classroom.

 

The flute sections, crafted by the virtuoso Paul Cheneour, bring a breath of life to the soundscape. Paul, a maestro whose flute has captured the spirit of Sufi music for decades, has been a partner in both music and philosophy since 1997. It was through our mutual friend, filmmaker Anam Hoque, that we first crossed paths. Since then, we have recorded together on several projects, including This Being Human and Dance in the Fire—albums that are both deeply spiritual and sonically adventurous.

 

Equally indispensable in this creative journey has been Margosagov, whose guitar and choral contributions elevate the track to a level of brilliance. We first met at the Baul film show organised by the esteemed musicologist Valentine Harding, whose passion for preserving and celebrating music from all traditions inspired both of us. Valentine’s deep knowledge of music, combined with her courage and compassion—having served as a nurse during the Bangladesh Liberation War in 1971—has enriched our collaboration in ways beyond music alone.

This project owes its shape to the legacy of women in music—particularly the untold contributions of women like Valentine Harding, whose resilience and intellect continue to influence generations of musicians and listeners alike.

 

As we enter the technical realm of music production, we find ourselves guided by the tools that connect the physical and virtual worlds of sound: the MBox 2, Pro Tools, MIDI-keyboards, Genelec monitors, and a trusty Macintosh computer. These are our instruments, our canvases, through which we craft and sculpt the sonic vision that brings our diverse world together.

 

In this process, there is no hierarchy of musical traditions, no sense of "one better than the other." It is about finding harmony and resonance in the meeting points, those rare and beautiful spaces where cultures and sounds converge to create something wholly new and extraordinary.

 

Finally, as we celebrate this fusion of music, I dedicate this work to the memory of George Harrison, whose song Bangladesh remains a timeless reminder of the power of music to heal, unite, and inspire. In this world of increasingly divided identities, his music continues to echo as a beacon of hope and solidarity. Through the making of music, we find not only expression but connection, the threads that bind us together in a world that often seeks to pull us apart.

 

Music is not just an art form—it is a force. It is a journey. And in this journey, we are all bound together. Bangladesh Liberation War.

http://dillymeah.blogspot.co.uk/2012/0dillys-works.html
http://dillymeah.blogspot.co.uk/2012/03/dillys-family-legacy.html
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