Dilly's ''Making of Music''

                                                      “Making of Music”

The concept was developed by myself and supported by renowned maestros, musicologists, musicians, friends, music lovers, appreciators, entrepreneurs and my family. We come from different musical traditions, and cultures are at the heart of the “fusion” concept, which is arguably the most exciting and vibrant contemporary musical expression.

This present ‘fusion process’ is a synthesizing of not only different traditions but also different genres of music. Musicians have been interacting and exchanging ideas across national boundaries for as long as there has been contact between cultures. It is this process that has led to the emergence of new musical forms which has contemporarily become known as “fusionmusic”.

Also, A notion of Global Fusion Music has also emerged, which is seen as the unique blend of music that spans the diverse and eclectic musical traditions of the planet. Even though fusion is primarily seen as the marriage of East and West, there is also a rich tapestry of East–East fusion that is occurring at the same time.

In an increasingly interdependent and globalised world, music and its universal, egalitarian language can provide an excellent basis for fostering togetherness and help to decrease the many artificial barriers that keep humanity fragmented and in divisive groupings. As the planet becomes more aware and the interconnectedness of our species comes together, the diverse elements of music also come together to act as a metaphor for the uniting of cultures and humanity.

At the moment we are using some of the North Indian’s scale notations (Raga Darbari) inherited from Turkish, Arab, Persian and African traditions. Some drum grooves are founded on modern dance music. The Song Guru lyric, tune, tabla-twist, arrangement and performed by Dilly Meah and sound designed, bass, drum programmed and chorus singing by Yoshisuke Suga from Japan, whom I met at the LMS London Music School faculty where we studied together.

Flutes by Paul Cheneour the maestro introduced to me by filmmaker Anam Hoque in the year 1997 since we met musical relationship began and recorded two albums; ”This Being Human ”Dance in the Fire “also some recordings for other albums and still playing Sufi music together.

Guitar and chorus singing by Margosagov, a great musician and singer we met at the Baul film show which is arranged by the musicologist Valentine Harding at the departure in the Commercial-road and after that acquaintance the talent were discovered and made this arrangement for the recording. Valentine Harding got her PhD in music from Goldsmiths University, of London where I accompanied Tabla with her on the stage. Ms Valentine Harding was a nurse in Bangladesh during Bangladesh
Liberation War. The Legacy of women's contribution in 1971
Bangladesh Liberation War.

We have used an anMbox2, Pro tool, Midi-keyboard, Yoga Condenser Microphone, Genelec monitors and a Macintosh computer.

This programme is especially dedicated to the memories of the legendary George Harrison for the song Bangladesh.
http://dillymeah.blogspot.co.uk/2012/0dillys-works.html
http://dillymeah.blogspot.co.uk/2012/03/dillys-family-legacy.html
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