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Monday, 6 June 2011

Dilly Meah Autobiography


The Making of a Legacy: A Journey Through Music, Activism, and Community in East London

 

The air inside Premises Recording Studio at 205-209 Hackney Road was electric with anticipation. It wasn’t just another recording session; it was a defining moment—one that would weave together culture, history, and resilience into a singular, powerful sound. This was the first recording of the Jalali Band, guided by our beloved teacher, Khandkar Emdadul Hoque Manna. Under the dim studio lights, amidst the hum of instruments being tuned and the murmur of last-minute adjustments, we weren’t just laying down music—we were documenting a movement.

This session was more than a technical process; it was an act of preservation, an assertion of identity. The studio, a space where countless artists had crafted their legacies, now bore witness to our own. This was where our journey—one intertwined with music, activism, and community—would be etched into history.

 

The Faces Behind the Sound

 

In one of the first photographs from that day, I stand on the left, next to Manna Sir, who occupies the centre—a pillar of wisdom and musical brilliance. On his right is Abdul Rob, a fellow musician whose dedication mirrored our mentor’s unwavering commitment to the next generation.
 

Another image captures another trio: Manna Sir once again at the centre, with me to his left and Mennon Rahman to his right. We were more than just musicians; we were storytellers, conduits of a rich cultural heritage carried across oceans.

 

One particularly cherished photograph features Arun Haldar, the talented filmmaker who documented this pivotal moment. He stands beside Manna Sir, with me on the other side, as the engineer works tirelessly at the mixing console. The studio buzzed with creativity; each dial turned a step closer to realising our dream. This wasn’t just about producing music—it was about carving out a space for our identity in a world that often sought to erase it.

Further images reveal the broader team that made it all possible: Mohammad Ali, donning a red cap, with the sound engineer, both deep in concentration. Below, a group photo captures Manna Sir, Mohammad, Suja, and me—surrounded by others whose names may have faded but whose contributions remain invaluable.

 

The Minibus That Carried a Movement

 

Beyond the recording studio, our work extended into the very heart of East London’s Bengali community. A photograph from the 1980s captures a red minibus—a vehicle provided by Tower Hamlets Council to local youth organisations. This particular bus belonged to the Weaver Youth Forum (WYF), operating from 232 Brick Lane.

The image captures me standing on the ladder at the rear of the minibus, casually resting my elbow on the roof while holding the railing. Seated atop the vehicle, to the right of the photograph, are Ahmed Ali, accompanied by Amir Ali and Forus Miah, while Faruk Miah stands firmly on the ground below, leaning against the bus. Inside, most likely, are Sirajul Islam (Siraj), the chairman of the organisation, along with Abdul Rouf and Kason Ali—integral members of our group—along with possibly many more members of the Weaver Youth Forum. At that time, I held the esteemed positions of Vice Chairman of the WYF and Captain of its football team, skilfully balancing my passions for music, leadership, and community service.


This wasn’t just a means of transportation—it was a symbol of opportunity. It ferried young people to football matches, community events, and cultural gatherings, bridging the gap between our past and our future.

 

The Warriors of East London’s Struggle

 

The late 1970s and 1980s were a defining period for the Bengali community in East London. Racism, economic hardship, and housing discrimination were everyday realities, but so too was the fierce resilience of those who fought back. Two such figures stand out:

 

Caroline Adams: The Guardian of Bengali Youth

 

A renowned youth worker, Caroline Adams, dedicated her life to supporting the Bengali youth of Spitalfields and Brick Lane. Through her work with the Inner London Education Authority (ILEA), she played a crucial role in bridging the gap between immigrant families and British society, advocating for education and youth welfare.

John Newbigin: A Cultural Warrior

 

John Newbigin, OBE, was more than just a youth worker—he was an architect of change. Through Avenues Unlimited, he fought against racism, empowering marginalised communities to reclaim their place in British society. His work in the 1970s and 80s provided the Bengali community with much-needed resources, helping them navigate the complex landscape of integration while preserving their heritage.

 

I first met Caroline Adams and John Newbigin in 1978. Their passion for justice was infectious, and through them, I gained an unshakable belief in the power of collective action. Their stories became a part of my own, shaping the way I understood music—not just as an art form but as a tool for resistance and unity.

A Meeting of History and Music

 

My journey led me to the Montefiore Centre, where I had the honour of meeting Syed Ashraful Islam, the eldest son of Syed Nazrul Islam, the first Acting President of Bangladesh. Through him, I connected with Khondker Aminul Haq Badsha, a key figure in Bangabandhu Sheikh Mujibur Rahman’s administration.

 

The Montefiore Centre was more than just a community hub—it was a melting pot of ideas, activism, and cultural preservation. Here, educators, filmmakers, and activists came together, striving to create a better future for East London’s Bengali community. Their work laid the foundation for programs focusing on education, housing, and cultural identity—initiatives that continue to shape lives today.


Building a Home, Brick by Brick


One of the most transformative movements of this era was the establishment of the Spitalfields Housing Association (SHA), formerly known as the Co-operative.

Founded in 1978 and officially registered in 1979, SHA emerged as a vital response to the housing crisis faced by the Bengali community in East London. At a time when landlords openly discriminated against immigrant families, SHA championed fair housing rights, striving to ensure that every individual had access to a safe and secure home.


A pivotal figure in this movement was Fakruddin Ahmed, a tireless advocate for social justice. Alongside leaders such as Yousuf Ali—my maternal cousin and SHA’s long-serving Secretary for nearly three decades, later Treasurer, and ultimately Chairman—he played a crucial role in securing affordable housing and essential community support services for those who had been systematically marginalised.


SHA acquired its first properties on Princelet Street and Hanbury Street, marking the beginning of its transformative journey. Over time, it grew to become the foremost housing association in the United Kingdom, setting a benchmark for social housing and community empowerment. 


Through SHA, I secured a flat on Princelet Street, a place that soon became a sanctuary for music. It was here that the Jalali Band’s practice sessions became a regular occurrence, with Manna Sir guiding us through melodies that carried the weight of generations.


The Legacy Lives On

 

Our first recording at Premises Recording Studio wasn’t just about preserving tradition—it was about honouring the struggle, celebrating the triumphs, and forging a path forward. It was a tribute to those who had fought before us and a promise to those who would come after.

Looking back, I see a journey woven together by music, activism, and an unbreakable sense of community. Every note we played carried the echoes of the past, the hopes of the present, and the dreams of the future.

 

This story isn’t just mine—it belongs to everyone who fought, sacrificed, and believed in something greater. It is a reminder that music is more than just sound; it is history, resistance, and legacy—one note, one story, and one community at a time.

Robert Montefiore Secondary School
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Wednesday, 18 May 2011

World Music Style

Dilly Meah the Musician and the composer of Sufi Baul fusion music

World music has been shaped by the single tone or root key of musical instruments. Composers have long yearned for heavenly harmonic melodies, channelling their creativity through love, passion, affection, worship, emotions, and sentiments in their music.

 

Through years of practice, instrumentalists, composers, and musicologists have uncovered octaves and discovered the transition from the natural scale to the chromatic scale, which now encompasses all world music styles.

 

The climate not only transforms the landscape and its inhabitants but also influences the formation of different forms of music, language, fashion, food, and the natural world.

 

It is the lyricism that shapes the melodies and compels musicians to play their instruments in a way that mirrors the rhythm and cadence of their own language.

 

The Universality of World Music: The Language of the Soul

 

Music is the heartbeat of human expression, a reflection of our innermost emotions, experiences, and connections. Throughout history, composers and musicians have sought to capture the essence of the world through sound. The roots of world music lie in the simple, single tone — the root key of musical instruments — and through centuries of practice, experimentation, and devotion, this humble beginning has blossomed into a complex and boundless art form.

 

Composers, driven by an eternal quest for harmony, have continuously yearned to create celestial melodies that resonate with love, passion, affection, worship, emotions, and sentiments. These desires have led to the discovery of octaves and scales, first within the Natural scale and later expanding into the chromatic scale. This transformation opened doors to every corner of the globe, enabling the blending of diverse cultural and musical expressions. Today, we are fortunate enough to experience world music in its myriad forms, from the rhythmic drumming of Africa to the delicate string arrangements of Eastern Europe.

 

But music, much like the climate, is deeply shaped by its surroundings. Just as the climate transforms the landscape, influencing the way people live, speak, and eat, it also imparts its unique signature onto the music of a place. Every region’s music reflects the environment from which it springs. The scorching heat of the desert, the cool breezes of the coastal lands, and the serene mountains all have their own way of guiding the rhythm and tone of their music. These environments not only influence how we express ourselves but also how we live and interact with the world.

 

Moreover, it’s the lyricism — the poetry of sound — that gives shape to music. Lyrics are the canvas on which melodies are painted. Whether it’s a soft, lilting tune evoking a quiet reverence or a passionate, thunderous rhythm reflecting fervent emotions, it is the words, the storytelling, that shape the music and carry it through the hearts of the players.

 

Musicians don’t simply play instruments; they breathe life into them, much like how language is spoken. The way an artist strikes a chord or taps a drum is an echo of their culture, their history, and their personal emotions. The instruments they play become extensions of their voices, reflecting their language and their connection to the world. For instance, a tabla player from India may bring a unique cadence and phrasing to a piece, just as a saxophonist from New Orleans may imbue their performance with the spirit of jazz. These musical languages transcend barriers, allowing people to communicate emotions and ideas in ways words often cannot.

 

The beauty of world music lies in its ability to connect us all, regardless of our differences. It speaks a universal language, one that surpasses the spoken word, evoking emotions that bind humanity together. Through music, we can experience the passion of a Brazilian samba, the joy of an Irish jig, or the tranquillity of a Japanese koto.

 

In the end, it is not just the instruments or the scales that make world music so powerful — it’s the profound connection we all share through the universal language of sound. Music is not merely an art form; it is the expression of life itself, the pulse that unites us all in an intricate and eternal dance. Through the love, passion, and creativity of composers and instrumentalists, the story of world music continues to unfold — one note, one beat, and one soul at a time.

 

The Humble Tone of Handclapping: A Universal Beat

 

In the vast symphony of world music, where instruments range from grand pianos to intricate sitars, there exists a sound that is remarkably simple yet profoundly universal: the tone of handclapping. In its humblest form, the sound of two hands coming together can carry the weight of tradition, emotion, and community. It is a sound as old as humanity itself—instinctive, primal, and deeply embedded in the rhythms of our lives.

 

Handclapping is a gesture that transcends cultural boundaries. Whether it’s the rhythmic beats accompanying a celebratory dance, the cadence of an enthusiastic crowd, or the ritualistic patterns of a religious ceremony, handclapping speaks a language understood by all. It is both a personal act and a communal experience, allowing individuals to join in unison with others, creating a bond through shared rhythm.

 

The beauty of handclapping lies in its simplicity. It requires no instrument other than the body, yet it produces a tone that resonates with the spirit. Its sound can be sharp and staccato, a quick, percussive burst of energy, or gentle and elongated, echoing the soft heartbeat of a quiet celebration. In some cultures, clapping is used to punctuate music, giving emphasis to a particular rhythm or phrase. In others, it becomes the rhythm itself, the foundation on which entire musical traditions are built.

 

In religious rituals, handclapping often represents an offering of thanks, praise, or devotion. The act of bringing hands together in a rhythmic pattern becomes a physical manifestation of the soul’s connection to something greater, a prayer expressed not in words but in the beat of the hands. Similarly, in moments of celebration, handclapping embodies joy, enthusiasm, and unity. It is a call to rejoice, to mark an important moment with the simple, powerful sound of clapping.

 

Even in the most intricate musical compositions, the humble tone of handclapping remains an irreplaceable form of expression. It is the most organic of instruments, a reminder that sometimes the most profound sounds come from the simplest of gestures. The humble clap is a universal language that connects us all, a reminder that music is not just about the grandiose or the complex, but about the connection we share through every beat, every rhythm, and every sound that pulses from the heart.

 

In the end, the humble tone of handclapping is a testament to the beauty of simplicity. It is proof that the most powerful musical expressions don’t always require elaborate instruments or techniques—they can be found in the most basic and intimate of gestures, uniting people across cultures, communities, and time. It is a sound that transcends boundaries, reminding us that the rhythm of life is found in the most humble of places.

 

The Universality of World Music: The Language of the Soul

 

Music is more than mere sound; it is the lifeblood of human expression, the heartbeat that carries our emotions, experiences, and histories across time and space. It’s the language of the soul, one that speaks louder than words and unites us in our shared humanity. At its core, music is a bridge, an eternal thread connecting us all, woven through the distinct cultural fabrics of the world. From the rhythmic pulse of Africa to the haunting melodies of the Far East, world music echoes the essence of who we are, both as individuals and as a global community.

 

The story of music begins with a single tone, the root of sound, a note held within the bowels of an ancient instrument. This humble seed, nurtured by centuries of experimentation and devotion, grew into the vast and intricate art form we know today. Composers and musicians, driven by an innate quest for harmony, sought to capture the soul’s deepest yearnings—love, worship, passion, longing, and celebration. From this pursuit, the complex world of octaves, scales, and keys emerged, expanding beyond the natural scale to embrace the chromatic scale, unlocking infinite possibilities for musical expression.

 

As these scales evolved, so too did the music, stretching outward to embrace the diversity of human experience. World music, as we know it, emerged from this global expansion, a patchwork of musical traditions that span the continents. From the earthy rhythms of West African drums to the delicate plucking of Eastern European strings, the world’s musical palette offers a stunning array of sounds and stories. Each note tells the tale of a culture, of a land, of a people.

 

But, like everything else, music is deeply shaped by its surroundings. The climate, geography, and even the physical environment of a place leave an indelible mark on its musical expression. Just as the mountains, seas, deserts, and plains influence the way we live, speak, and eat, they also dictate the rhythms and melodies that come from that region. The cool mountain air may coax the delicate strings of a zither to sing in soft, haunting notes, while the scorching heat of the desert might give rise to the pounding beats of a djembe. The environments people inhabit guide their musical language, just as the landscape influences the way we perceive the world.

 

At the heart of every song is the poetry of sound—the lyrics that breathe life into the music. Whether they are whispered in quiet reverence or shouted with fiery passion, the words of a song carry the weight of history and emotion. Lyrics are the canvas, while the melody is the brush that paints the story. It’s through the lyrics that we hear the voices of the people, their joys, their struggles, and their dreams. Music, in this sense, becomes more than sound—it becomes the embodiment of the very essence of human life.

 

Musicians, the storytellers of this world, don’t just play instruments; they give voice to them. Each chord struck, every drumbeat tapped, and every string plucked is an intimate act of communication, a reflection of a culture, a history, and a personal narrative. The instruments they wield become extensions of their being—living, breathing voices. A tabla player from India, for example, brings a distinct cadence to their art, a rhythm shaped by centuries of tradition. Similarly, the improvisational freedom of a saxophonist in New Orleans speaks volumes about the city’s rich musical heritage, its jazz soul pulsating through every note. These musicians, through their unique expressions, communicate emotions and ideas that words can rarely capture.

 

What makes world music so profound, however, is its universal nature. Music transcends the barriers of language, culture, and geography, speaking directly to the heart. It allows us to feel the fiery passion of a Brazilian samba, to dance to the joyful beat of an Irish jig, or to find solace in the tranquil tones of a Japanese koto. Music doesn’t require translation—it is a language all its own, one that bypasses the mind and speaks straight to the soul.

 

The beauty of world music is not just in its diversity but in its ability to bring us together. In a world that often feels divided, music stands as a reminder of our shared humanity. It reminds us that, despite our differences, we all share the same emotions, the same longing for connection, and the same desire for expression. Music binds us, not through spoken words, but through the universal language of sound. It reminds us that, at our core, we are all interconnected—one note, one beat, one soul at a time.

 

In the end, it is not just the instruments or the scales that make world music so powerful; it is the profound human connection that it fosters. Music is the pulse of life itself, the rhythm of the universe that unites us all. Through the artistry of composers and musicians, world music continues to unfold, telling the eternal story of humanity in a symphony of sound. It is a language that will never cease to evolve, but its message will remain the same: We are all part of a greater whole, a global community bound together by the universal language of music.

 

The Roots of World Music: A Melody of Emotion and Expression

 

World music, in its vast diversity, has been shaped by the single tone, the root key, that forms the foundation of musical instruments across the globe. From the deep, resonant hum of the didgeridoo to the delicate twangs of a balalaika, these root tones resonate deeply within the human experience, connecting us to the ancient, primordial sounds that have always defined music. Composers have long yearned to create melodies that harmonize with the soul, channelling their deepest emotions—love, passion, affection, worship—through the instruments and scales of their time. In each note and phrase, they seek to touch something universal, something that binds us all.

 

The journey from simplicity to complexity in music is a story of discovery. Through years of practice, dedication, and exploration, instrumentalists, composers, and musicologists have unravelled the mysteries of octaves, scales, and harmonies. The transition from the natural scale to the chromatic scale—one that embraces all 12 pitches—has opened doors to limitless creativity. This chromatic exploration has allowed the music of the world to expand and intertwine, creating fusion, and blending distinct cultural sounds into something new, yet still deeply rooted in tradition.

 

World music, at its core, is influenced by the land and climate from which it springs. Just as the environment shapes how people live, speak, eat, and think, it also imparts its rhythm to the music of a place. The barren deserts of Africa, with their vast, open spaces, give birth to the deep, resonant beats of the drum. The lush, fertile lands of the tropics inspire the fluid, melodic rhythms of the Caribbean. The harsh winds of the mountains echo in the sharp, piercing notes of the alpine instruments. These climates not only shape the physical world but also mould the emotional and artistic expressions of the people who inhabit them.

 

At the heart of every piece of music is its lyricism—the words, the poetry, the soul of the sound. Lyrics shape the melodies, guiding their rhythm and direction. They compel musicians to play their instruments in a way that mirrors the natural flow of their language and emotions. Whether it’s the lilting, syncopated cadence of Portuguese Fado or the forceful, percussive language of African storytelling, the instruments mimic the rhythm of spoken language, becoming an extension of the cultural identity they represent.

 

In the intricate patterns of world music, we find not just melodies, but histories, emotions, and lives. Through the simple tone of a handclap, the deep rumble of a drum, or the soaring strings of a violin, music speaks a universal language, one that transcends borders, periods, and spoken words. It is the purest form of human connection, one that binds us all to a greater understanding of the world and each other.


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